Part 1. Fundamentals  

Chapter 0. Notation of Pitch and Rhythm  

Chapter 1. Scales  

Chapter 2. Intervals  

Chapter 3. Triads and Seventh Chords  

 
Part 2. Overview of Harmony and Voice Leading  

Chapter 4. Four-Part Harmony  

Chapter 5. Voice Leading  

Chapter 6. Harmonic Progressions  

Chapter 7. Melodic Elaboration  

Chapter 8. Species Counterpoint  

 Part 3. Diatonic Harmony  

Chapter 9. I and V  

Chapter 10. The Dominant Seventh Chord: V7  

Chapter 11. I⁶ and V⁶  

Chapter 12. V65 and V42  

Chapter 13. V43 and vii^o6  

Chapter 14. Approaching the Dominant: IV, ii⁶, and ii65   

Chapter 15. Embellishing V: Cadential 6/4  

Chapter 16. Leading to Tonic: IV  

Chapter 17. The Leading-Tone Seventh Chord: vii^o7 and vii/^o7 

Chapter 18. Approaching V: IV⁶, ii, ii⁷, and IV⁷  

Chapter 19. Multiple Functions: VI  

Chapter 20. Voice Leading with Embellishing Tones  

Chapter 21. III and VII  

Chapter 22. Sequences  

Chapter 23. Other 6/4 Chords  

Chapter 24. Other Embellishing Chords  

 Part 4. Chromatic Harmony  

Chapter 25. Applied Dominants of V  

Chapter 26. Other Applied Chords  

Chapter 27. Modulation to the Dominant Key  

Chapter 28. Modulation to Closely Related Keys  

Chapter 29. Modal Mixture  

Chapter 30. bII⁶: The Neapolitan Sixth  

Chapter 31. Augmented Sixth Chords  

Chapter 32. Other Chromatically Altered Chords  

Chapter 33. Chromatic Sequences  

Chapter 34. Chromatic Modulation  

Part 5. Form  

Chapter 35. Sentences and Other Phrase Types  

Chapter 36. Periods and Other Phrase Pairs  

Chapter 37. Binary Form  

Chapter 38. Ternary and Rondo Forms  

Chapter 39. Sonata Form  

Part 6. Post-Tonal Theory  

Chapter 40. Collections and Scales I: Diatonic and Pentatonic  

Chapter 41. Collections and Scales II: Octatonic, Hexatonic, and Whole-Tone  

Chapter 42. Triadic Post-Tonality  

Chapter 43. Intervals  

Chapter 44. Pitch-Class Sets: Trichords  

Chapter 45. Inversional Symmetry  

Chapter 46. Twelve-Tone Serialism  

Chapter 47. Form