Sight Singing
Part I: Elements of Music
Chapter 1: Pitch and Pitch Class
Chapter 2: Simple Meter
Chapter 3: Beat Divisions, Pitch Collections, and Major Keys
Chapter 4: Compound Duple Meter
Chapter 5: Minor Keys and Beat Subdivisions
Chapter 6: Intervals, and Compound Quadruple and Triple Meters
Chapter 7: Triads and Half-Note Beats
Chapter 8: Seventh Chords, Dotted-Half-Note Beats, and Disruptions of the Pulse
Chapter 9: The Diatonic Modes, Counterpoint, and Borrowed Beat Divisions in Simple Meter
Chapter 10: Plainchant, Melodic Embellishments, and Borrowed Beat Divisions in Compound Meter
Part II: Diatonic Harmony and Tonicization
Chapter 11: Eighteenth-Century Counterpoint, and Eighth-and Dotted-Eighth-Note Beats
Chapter 12: Phrases, Cadences, and Subdivided Half- and Dotted-Half-Note Beats
Chapter 13: More Dominant Sevenths and Predominant Harmonies, and Syncopation
Chapter 14: 6/4 Chords, Melody Harmonization and Swing Rhythm
Chapter 15: Root Progressions, Syncopated Subdivisions, More Cadences, and Modal Melodies
Chapter 16: Melodic Embellishment, Harmonizing Modal Melodies, and Compound Triplets
Chapter 17: Diminished Chords, Mixed Beat Divisions, and Compound Duplets
Chapter 18: Phrase Structure, Melody Harmonization, and Syncopation with Borrowed Beat Divisions
Chapter 19: Tonicizing V and Combined Beat Divisions in Simple Meters
Chapter 20: Tonicizing Scale Degrees Other Than ^5 and Harmonizing Melodies That Tonicize the Subdominant
Chapter 21: Sequences Hemiola, and Harmonizing Melodies That Tonicize the Submediant
Part III: Chromatic Harmony and Form
Chapter 22: Modulation to Closely Related Keys and Harmonizing Melodies That Tonicize the Mediant in Minor
Chapter 23: Small Part Forms, Modulation to Other Closely-Related Keys, and Changing Meter
Chapter 24: Contrapuntal Practices and Dual Meter Signatures
Chapter 25: Variations and Super-Subdivided Simple Beats
Chapter 26: Modal Mixture and Super-Subdivided Compound Beats
Chapter 27: The Neapolitan Sixth, Augmented-Sixth Chords, and Traditional Dance Rhythms
Chapter 28: Chromatic Modulation and Ragtime
Chapter 29: Vocal Forms and Asymmetric Meters
Chapter 30: Sonata Form, Asymmetric Triple Meters, and Common-Tone Embellishing Chords
Chapter 31: Rondo and Three-Against-Four Rhythms (3:4)
Chapter 32: Lead-Sheet Notation, Quaternary Song Form, Jazz, and the Blues
Chapter 33: Popular Song
Part IV: The Twentieth Century and Beyond
Chapter 34: Modes, Scales, and Beat Divisions of Five and Seven
Chapter 35: Symmetric Pitch Collections, Changing Meter, and Slow-Tempo Asymmetric Meters
Chapter 36: Fixed-Do and Integer Solmization, and Spoken-Word Rhythms
Chapter 37: Trichords, Polymeter, and Obscured Meter
Chapter 38: Pitch-Class Sets, Ordered Segments, and Metric Modulation
Chapter 39: Serialism, Polymeter, Ametric Meter, and Non-Retrogradable Rhythms
Chapter 40: Borrowing from the Past