*new to the Fifth Edition Chapter 1: Pitch and Pitch Class Chapter 2: Simple Meters Chapter 3: Pitch Collections, Scales, Major Keys Chapter 4: Compound Meters Chapter 5: Minor Keys Chapter 6: Intervals Chapter 7: Triads Chapter 8: Seventh Chords Chapter 9: Connecting Intervals in Two-Part Counterpoint *Chapter 10: Analysis of World and Traditional Music I Part II: Practices of Western Tonal Harmony Chapter 11: From Species to Chorale Chapter 12: The Basic Phrase Chapter 13: V7 and Predominants Chapter 14: Expanding the Basic Phrase Chapter 15: New Cadence Types and Diatonic Root Progressions Chapter 16: Embellishing Tones Chapter 17: Leading-Tone and Other Voice-Leading Chords Chapter 18: Phrase Structure and Motivic Analysis Chapter 19: Secondary Dominant and Leading Tone Chords to V Chapter 20: Tonicizing Scale Degrees Other than V Chapter 21: Sequences Chapter 22: Modulation Part III: Form and Chromatic Harmony Chapter 23: Binary and Ternary Forms Chapter 24: Invention and Fugue Chapter 25: Variation Chapter 26: Modal Mixture and Chromatic Mediants Chapter 27: Neapolitan 6 and Aug 6 Chords Chapter 28: Chromatic Harmony and Voice Leading Chapter 29: Vocal Forms Chapter 30: Sonata, Sonatina, Concerto Chapter 31: Rondo, Sonata Rondo, and Large Ternary Part IV: The Twentieth Century and Beyond Chapter 32: Popular Music, Jazz, and Blues Chapter 33: Recent Popular Music Chapter 34: Modes, Scales, and Sets Chapter 35: Rhythm, Meter, and Form in Music after 1900 Chapter 36: Music Analysis with Sets Chapter 37: Ordered Segments and Serialism Chapter 38: Rhythm, Meter, and Form after 1945 *Chapter 39: Analysis of World and Traditional Music II Chapter 40: Recent Trends
Part I: Elements of Music