Monsieur Pain
19 January 2010
Territory Rights — Worldwide including Canada, but excluding the British Commonwealth.
Description
Occult sciences, César Vallejo, WWII, hopeless love, and a final “Epilogue for Voices”: Monsieur Pain is a hallucinatory masterwork by the great Roberto Bolano.
Paris, 1938. The Peruvian poet César Vallejo is in the hospital, afflicted with an undiagnosed illness, and unable to stop hiccuping. His wife calls on an acquaintance of her friend Madame Reynaud: the Mesmerist Pierre Pain. Pain, a timid bachelor, is in love with the widow Reynaud, and agrees to help. But two mysterious Spanish men follow Pain and bribe him not to treat Vallejo, and Pain takes the money. Ravaged by guilt and anxiety, however, he does not intend to abandon his new patient, but then Pain’s access to the hospital is barred and Madame Reynaud leaves Paris…. Another practioner of the occult sciences enters the story (working for Franco, using his Mesmeric expertise to interrogate prisoners)—as do Mme. Curie, tarot cards, an assassination, and nightmares. Meanwhile, Monsieur Pain, haunted and guilty, wanders the crepuscular, rainy streets of Paris...
Reviews
"A very good read and essential for Bolaño completists." — Craig Morgan Teicher, The Plain Dealer
"John Coltrane jamming with the Sex Pistols." — John M. Richardson, Esquire
"Roberto Bolaño was an examplary literary rebel. To drag fiction toward
the unknown, he had to go there himself, and there invent a method with
which to represent it. Since the unknown place was reality, the results
are multi-dimensional." — Sarah Kerr, The New York Review of Books
"Bolaño wrote with the high-voltage first-person braininess of a Saul Bellow and an extreme subversive vision of his own." — Francisco Goldman, The New York Times Magazine
"Delightfully noirish." — Brad Hooper, Booklist
"Monsieur Pain, an early novella, beautifully translated by Chris Andrews, joins his other works in all their aching splendour."
— Carolina de Robertis, National Post
"A heightened sense of analogy aligns careless deserters, serious moviegoers and sold-out psychics to a world of labyrinthine visions…." — Roberto Ontiveros, The Dallas Morning News
"A real discovery and a substantial addition to the growing Bolaño library in English." — Stephen Henighan, The Quarterly Conversation
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