Home After Dark

Reviews

"David Small’s tale of a sad, isolated teenager and his angry father is timely in the age of Donald Trump... All of the power of Home After Dark lies with his meticulous pen and waterproof ink drawings... Among his influences, besides the work of Egon Schiele, which he loved as a younger man, are directors such as Hitchcock, Polanski, Bergman and Antonioni, and his exquisite holding shots, stunning closeups and extended silent sequences do bring the movies immediately to mind; at times, you fancy you might almost hear the whirr of the projector." — Rachel Cooke, Graphic Novel of the Month, The Observer

"A master graphic storyteller who has certainly captured male adolescence in 1950s America. Having to think about dodging high school bullies every day sure resonated with me! And Russell’s sexual predicament was handled in a very original way." — Robert Crumb

"... [In] the profound and moving Home After Dark... Small subtly tackles unsubtle themes—gender roles, sexual awakening, immigration, racism—in spare prose and beautiful Hitchcockian-angled panels. Home After Dark is touching, heartbreaking and one of the more nuanced looks at male adolescence in American literature since Holden Caulfield was expelled from Pencey Prep." — Times Literary Supplement

"Small’s forte lies in the silent, cinematic montage, where each image echoes with Russell’s loneliness. It’s a hauntingly harsh coming-of-age tale." — Siobhan Murphy, The Times

"This is not a California – or a childhood – that anyone in their right mind would ever dream of... This book is utterly superb. Only a person with no feelings at all could fail to buy it." — Strong Words

"... Home After Dark is well crafted. Small is a talented cartoonist and the opening sequence particularly impressive as Russell stares at his reflection in a Christmas bauble, trying to recognise himself. And the dream sequence in which his desire for Kurt breaks through is as clever as it is truthful." — The Scotsman

"Set in America in the years after the Korean war it’s a coming-of-age story that takes in parental separation, bullying, and sexual awakening. Nothing new there, you might say, but Small’s vision of his protagonist Russell Pruitt is starkly told, dark in mood and action. The art is scratchy but the scratches cut deep." — The Herald