The Garden Against Time
In Search of a Common Paradise
23 July 2024
Territory Rights — Worldwide including Canada, Singapore and Malaysia, but excluding the British Commonwealth and the European Union.
Description
In 2020, Olivia Laing began to restore an eighteenth-century walled garden in Suffolk, an overgrown Eden of unusual plants. The work brought to light a crucial question for our age: Who gets to live in paradise, and how can we share it while there’s still time? Moving between real and imagined gardens, from Milton’s Paradise Lost to John Clare’s enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth.
But the story of the garden doesn’t always enact larger patterns of privilege and exclusion. It’s also a place of rebel outposts and communal dreams. From the improbable queer utopia conjured by Derek Jarman on the beach at Dungeness to the fertile vision of a common Eden propagated by William Morris, new modes of living can and have been attempted amidst the flower beds, experiments that could prove vital in the coming era of climate change. The result is a humming, glowing tapestry, a beautiful and exacting account of the abundant pleasures and possibilities of gardens: not as a place to hide from the world but as a site of encounter and discovery, bee-loud and pollen-laden.
Reviews
"[E]ffortless lyricism…at heart, an impassioned and wide-ranging work of literary criticism…This isn’t a historical survey of gardening, much less a practical guide, so much as an inquiry into the idea of the garden—its history and poetics, its relationship to sex, imagination and power…[Laing] belongs in an as-yet-undefined and perhaps undefinable class of prose artists who blend feeling and analysis, speculation and research, wit and instruction as they track down the elusive patterns and inescapable contradictions of modern experience." — A.O. Scott, New York Times
"The Garden Against Time is remarkably vulnerable in its function as a vehicle for Laing to think through the pain of others; to mend her own shortcomings and live purposively on her patch of land…Could I live this way: thoughtfully, keeping in mind the fortunes of others? Twee as it sounds, if we all did, could we make the world a better place? How exquisite to hold a book that makes me believe so." — Jo Hamya, Financial Times
"In one way Laing’s book is an account of restoring the garden to its glory days. This gives her the chance to write such glorious, looping sentences as 'I cut back thickets of honeysuckle and discovered astrantia, known as melancholy gentleman for its stiff Elizabethan ruffs and odd, pinkish-green livery.' But just at the point where she seems in danger of disappearing into a private dreamscape, Laing pulls up sharply to remind us that a garden, no matter how seemingly paradisical, can never be a failsafe sanctuary from the brutish world. It always arrives tangled in the political, economic and social conditions of its own making…In this book Laing perfects the methodology she deployed so skillfully in her much-loved The Lonely City and more recent Everybody, of embedding biographical detours to advance rather than merely illustrate her central argument." — Kathryn Hughes, Guardian
"Laing’s buzzing and epic The Garden Against Time: In Search of a Common Paradise… is wonderfully free… and does not cater to conventional expectations. Laing seeks a communal space where we can cherish what is most beautiful about being alive." — Jessica Ferri, Washington Post
"The most delightful portions of her memoir-cum-horticultural history, The Garden Against Time, are those… reflecting on the experience of working among flowers and soil… Across eight chapters, Ms. Laing considers the contradictions of gardens, understanding them as at once “selfish and selfless, open and enclosed.”" — Angelina Torre, Wall Street Journal
"[Laing] excelled at looking at art in The Lonely City, her meditation on urban isolation in the lives and works of American painters, and she brings the same quality of attention to [The Garden Against Time], writing about her garden with a vigor that should carry even the least green-fingered reader…a wise and enthralling book." — Max Liu, Independent
"Through deft research and her own experience in this enchanting [book]… Laing considers the loftier aspirations of gardens as paradise." — Lauren LeBlanc, Boston Globe
"Laing’s delicate bouquet of language… [is] certainly reason enough to read The Garden Against Time." — Naomi Huffman, Atlantic
"[A] broad-leafed prose poem about 'the constant cycle of decay, regeneration and return in which we all play a part.' This is a beguiling book." — Gavin Plumley, Country Life
"A vital read in the age of climate crisis." — Elle
"[L]andscape writing so intricate and vivid that you’ll feel transported to the English countryside." — Oprah Daily
"What we need, writes Laing, is more gardens and the health and life and collective imagination they support everywhere. Echoing Victorian gardener, writer, and artist William Morris, Laing argues that 'we need to start from our contaminated present and not some future position of undiluted purity.'" — Bomb
"Olivia Laing's The Garden Against Time is a close and vagrant meditation on the tended plot as real and metaphoric paradise, a potentially radical place to overwinter and come back out to hope." — Brian Dillon, The Millions
"I’ve been a fan of Laing’s since The Lonely City, a formative read for a much-younger me…so I’m looking forward to her latest, an inquiry into paradise refracted through the experience of restoring an 18th-century garden at her home the English countryside. As always, her life becomes a springboard for exploring big, thorny ideas (no pun intended)—in this case, the possibilities of gardens and what it means to make paradise on earth." — Sophia M. Stewart, The Millions
"The Garden Against Time, despite its darker subtexts, feels like a recuperative work." — Patrick Freyne, Irish Times
"I don’t think I’ve ever read a book that captures so well not only the deep pleasures and satisfactions of gardening, but its near-hypnotic effect on the human body and mind." — Observer
"[Laing's] lyrical prose emphasizes the ways in which gardens connect individuals across history…leading the author to muse that her attraction to cultivating plants stems from wanting "to move into a different understanding of time: the kind of time that moves in spirals or cycles, pulsing between rot and fertility, light and darkness." This is well worth seeking out." — Publishers Weekly (starred review)
"An intellectually verdant and emotionally rich narrative journey. " — Kirkus (starred review)
"I suspect The Garden Against Time is the kind of book that will continue to bloom in the minds of readers as it ages, revealing new connections each time it’s picked up… In a time of forced binaries and ubiquitous oversimplification in mainstream culture and public thought, I’m thankful for seekers like Laing, those who insist upon the possibility of more lush, reciprocal entanglements between people and the land." — Manjula Martin, LA Review of Books
"Olivia Laing’s far-ranging and far-reaching evocation of gardening is really about gratitude and stewardship, the reverent and persistent care of growing things that are good for all humans. If you read no other gardening book this year, do read this one." — Book Reporter
"Laing’s enthusiasm for her subject is infectious, and she is convincing in her assertion that exposure to nature’s beauty is a right, not an indulgence." — Rain Taxi
"A passionate, erudite study of the garden's role as paradise on earth." — BookBrowse
"Gorgeous, enchantingly constructed non-fiction about the power and beauty of gardens." — Harpers Bazaar
"The Garden Against Time wears its erudition lightly, interweaving garden history with the cyclical work of planning and planting, decay and rebirth. It will inspire readers to get outside, shears in hand, to tend their own gardens, and invite others in." — Catherine Hollis, BookPage
"Laing asks us to see the garden… as an unlikely teacher—a powerful model for looking at, sifting through and being in the world—and a place to imagine the world as otherwise." — Emily Cox, Apollo
"A book that begins as beguiling and beautiful then flicks into the revelatory: the work of salvaging a ruined garden in Suffolk becomes a book about a different kind of salvation altogether. Her mind is so agile, so capacious, so widely ranging, so consistently surprising. If I had the means, I’d present her with large plots of land every year so that she could write books such as this again and again." — Neel Mukherjee, author of The Lives of Others
"A cumulative intellectual with a golden pen, Laing… connects collectivity with dirt, hand-building both private and generous new worlds as safe refuge and risky experiments." — Sarah Schulman, author of Let the Record Show
"Laing probes important questions about land ownership and exclusion and the human drive to create paradise on earth. All the while, her elegant prose bewitches and beguiles. A truly wonderful read." — Sue Stuart-Smith, author of The Well-Gardened Mind
"A sharp and enthralling memoir of the garden’s contradiction: dream and reality, life and death, the fascination of cultivation and the political horrors that it can disguise." — Neil Tennant
"What a wonderful book this is. I loved the enchanting and beautifully written story but also the fascinating and thoughtful excursions along the way." — Nigel Slater, author of The Kitchen Diaries
"No one writes with more energy and ecstasy than Olivia Laing. This book is what we need right now: paradise, regained." — Philip Hoare, author of RISINGTIDEFALLINGSTAR
"An inspiring and deeply thoughtful book—I loved it!" — Alison Light, author of Mrs. Woolf and the Servants
"An enthralling book about creation, world-making, and communion. We desperately need stories like this today." — Fritz Haeg, author of Edible Estates
"Quite literally unputdownable. It is astonishing, funny, beautiful, wise, charming and truthful." — Jinny Blom, author of What Makes a Garden
"A sensational work, somehow encompassing so many diverse preoccupations with a confidence and control that kept me spellbound." — Isabel Bannerman, author of Husbandry
"Powerful, reflective and captivating to read—I loved it." — Fergus Garrett VMH, horticulturalist and Chief Executive of the Great Dixter Charitable Trust
"Olivia Laing has written a book about making her garden, which is by turns lyrical, consoling, disturbing and inspiring. It’s a book for thinking gardeners everywhere." — Mary Keen
"Every generation gets one perfect book about gardens and this is ours." — Julie Bell, author of Radical Attention
"Olivia Laing is a marvelous writer. So prepare yourself to be enchanted." — Jilly Cooper
"An extraordinary and important work. I felt doubly alive after reading it. The book is an inspiration." — Celia Paul, author of Self-Portrait
"The most magical writing, intimate, insightful, learned and brilliant." — Jeremy Lee, author of Cooking
"This book is as imaginatively structured and full of beauties and surprises as the garden whose creation it documents." — Lucy Hughes-Hallett, author of The Pike
"In a time of forced binaries and ubiquitous oversimplification in mainstream culture and public thought, I’m thankful for seekers like Laing, those who insist upon the possibility of more lush, reciprocal entanglements between people and the land—a garden as “a covenant of how the world should be and might again.”" — Manjula Martin, Los Angeles Review of Books
Awards
Shortlisted — Wainwright Prize, 2024
Shortlisted — Kirkus Prize, 2024