Description
Brevity is the soul of beauty in these tiny masterworks of short short fiction
Selected from many hundreds in the original Dutch, the stories gathered here—humorous, or bizarre, or comfortingly homely—are something like daybook entries, novels-in-brief, philosophical meditations, or events recreated from life, but—inhabiting the borderland between fiction and reality—might best be described as autobiographical mini-fables.
This morning at 11:30, in the full sun, I go up into the hayloft where I haven’t been for years. I climb over boxes and shelving, and open the door. A frightened owl flies straight at me, dead quiet, as quiet as a shadow can fly, I look into his eyes—he’s a large owl, it’s not strange that I’m frightened too, we frighten each other. I myself thought that owls never move in the daytime. What the owl thinks about me, I don’t know.
Reviews
"Masterpieces: not a word can be missed." — DE VOLKSKRANT
"When a story ends with a riddle, or a doubt, as many of his do, the subject of the story becomes, in part, really, Snijders’s own questioning, or, more broadly, our own shared habitual uncertainty, perhaps even the shared uncertainty of our human existence" — Lydia Davis
"For all their brevity and mystery, these stories ultimately touch on the way that perception, language, connection, and an appreciation of the natural world give depth, even joy, to life. Deceptively simple, disarmingly charming." — Kirkus
"Throughout, there’s a good deal of attention paid to dikes and honeybees, adding up to a multidimensional evocation of rural life in Holland. One has a feeling, at the end of each sketch, most of which fit on one page, that Snijders has left nothing unsaid, summing up each with a perfect declaration." — Publishers Weekly
"Like Davis, Snijders can compose rich, complex life studies in just a handful of sentences, extracting profundity from the absurd, and vice versa. Their sensibilities are so well matched that one can hardly imagine a better translator and interlocutor for him than Davis; that kinship is likely why this collection feels so smartly, exquisitely wrought." — Jennifer Krasinski, Bookforum
"Since the 1980s Snijders has been a widely read newspaper columnist—for a long time he insisted on publishing in his local free paper as well as the national press—but that workaday writerly calling doesn’t capture the strangeness of narrative and tone he smuggles onto the page" — Brian Dillon, 4Columns
"Night Train is a shapeshifting amalgam of fable, zen koan, commentary, lyrical essay, and autobiography. As an immersive foray into the unknown, the instability of Snijders’s narrative form produces a trompe-l’oeil effect “indistinguishable from the truth,” giving the reader a sensation of being at once disoriented and illuminated...This notion of reality as unknowable, or “unpsychological,” represents the trademark of Snijders’s fiction, allowing his narrative—as both burrowing animal and spy—to elude conventional expectations and assume an enigmatic depth, despite its compact form." — Thuy Dinh, Asymptote
"The principal through-line in Night Train is Snijders’s depiction of “our shared habitual uncertainty”; wonders and doubts are held intact, unanswered, and speak to Snijders’s distinct humility as a storyteller." — Chiara Bercu, Zyzzyva
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