Description
In the sixteenth century, on the island of Uranienborg, the pioneering Danish astronomer Tycho Brahe is undertaking an elaborate study of the night sky
The second in Voetmann’s triptych of historical novels, Sublunar is as visceral, absurd, and tragic as its predecessor Awake, but with a special nocturnal glow and a lunatic-edged gaze trained on the moon and the stars.
Reviews
"Original, piercing, and richly exhilarating. Voetmann’s text is a sharp reminder of how powerfully and succinctly well-chosen words can create a world, render experiences, and express thoughts—in short, transport us, to places and in ways we could not have imagined." — Claire Messud, Harper's
"Reading Voetmann’s books makes me feel so alive. His voice is like no other, his hold on his material masterful." — Olga Ravn
"Arresting and memorable." — Kirkus Reviews
"Voetmann’s saturnine imagery touches both ends of the optic nerve, intermingling what is seen with what is known… Marvelous." — Trevor Quirk, The Baffler
"Voetmann seems to work from the ground up. Although Awake and Sublunar might be called novels of ideas, Voetmann's intellectual concerns are not forcefully imposed upon fictional dramas arbitrarily designed to illustrate them, but rather arise from particulars that are irreducible. Each page of the books contains a richness of detail and a depth of attention that has all but vanished from the contemporary novel—or, for that matter, any other mass-produced object. The novels themselves—each scarcely more than a hundred pages— are miniatures that appear to have been less written than chiseled. Images glow in stark relief against the somber backdrops and recur with slight variations, as though guided by a Fibonacci sequence. Amid the guts and gore, there are moments of quiet splendour." — Meghan O’Gieblyn, The New York Review of Books