Kitchen Music

Reviews

"Praise for Blue Pearl:

It is full of whalebones and wind and melting ice, and it left me breathless." — Nina Powles, Poetry

"You cannot help thinking that this is what all poetry should do—find the truth in things, not beneath them—and how it should be produced: sensitively and with love." — Andrew McCulloch, Times Literary Supplement

"With meditations on whale hunts and lost children, Manhattan sky towers, and the sound of the gamelan in the Gulf of Bothnia, this collection is both expansive in scope and beautifully sparse in its language. Every word is savored, creating moments of stunning lyricism and powerful silence." — Michael Welch, Chicago Review of Books

"A book of poems, a book of voices. A book that is also a map, an almanac, a report - of histories, of stories, of lands and waters. A book of poems made and arranged in such a way as to create harbours and enclosures: the contained order of narrative brought to a wild scattering of events; a careful arrangement of whale bones on a gallery floor to tell the tale of that great singing creature now stilled to silence." — Kirsty Gunn

"This is a book of precise and uncompromisingly beautiful writing about northern place: Orkney, Iceland, far seas of the imagination. A few words, brilliant and disquieting in choice and cadence, transport the reader to distant islands and their weather. As you read, you are alone in a remote stone house at nightfall, with the wind rising from the sea below the windows." — Peter Davidson

"A great poem consists of alternate measures of words and silence; and in the greatest work the silence is as important as the words to which it gave birth. Lesley Harrison is a writer of consistent brilliance, who with just a handful of words can conjure song from silence. These are warnings, elegies and celebrations... Kitchen Music is a meticulously crafted Northern Hymnal...a brilliantly conceived orison to the flora and fauna of the higher latitudes. This collection is essential reading for anyone keen to understand why poetry remains a unique force for change on this planet." — John Glenday

"Her work exists on the border between language of natural clarity and human silence, where white space buffs against stanza to produce its own music. … Like the whale, which serves as the cetaceous heart of this book, Harrison’s primary mode of communication is sound, whether it be daylight or rain clouds, old prayer or the birth of a new island." — Connor Harrison, Chicago Review of Books

"The poems evoke a color palette of slate, sea glass, and silvered green, and float in a soft-focus reverie." — Sylee Gore, Poetry Foundation