The first edition of T. S. Eliot’s masterpiece reappears with a major introduction by Pulitzer Prize–winner Paul Muldoon.
As Muldoon writes, "It's almost impossible to think of a world in which The Waste Land did not exist. So profound has its influence been not only on twentieth-century poetry but on how we’ve come to view the century as a whole, the poem itself risks being taken for granted." Famously elliptical, wildly allusive, at once transcendent and bleak, The Waste Land defined modernity after the First World War, forever transforming our understanding of ourselves, the broken world we live in, and the literature that was meant to make sense of it. In a voice that is arch, ironic, almost ebullient, and yet world-weary and tragic, T. S. Eliot mixes and remixes, drawing on a cast of ghosts to create a new literature for a new world. In the words of Edmund Wilson, "Eliot…is one of our only authentic poets…[The Waste Land is] one triumph after another."
"We know of no other modern poet who can more adequately and movingly reveal to us the inextricable tangle of the sordid and the beautiful that make up life." — Times Literary Supplement
"The Waste Land is unquestionably important, unquestionably brilliant…The poem must be taken—most invitingly offers itself—as a brilliant and kaleidoscopic confusion; as a series of sharp, discrete, slightly related perceptions and feelings, dramatically and lyrically presented, and violently juxtaposed…It shimmers, it suggests, it gives the desired strangeness…One of the most moving and original poems of our time." — Conrad Aiken
"[An achievement] of the first importance for English poetry. In it a mind fully alive in the age compels a poetic triumph." — F. R. Leavis