The Twenty Days of Turin

Reviews

"In The Twenty Days of Turin, De Maria predicted contemporary society’s loneliness, cruelty, and voyeurism decades early and with unnerving accuracy—a haunting, eerily prescient novel." — Carmen Machado, author of Her Body & Other Parties

"The paranoia of The Twenty Days of Turin calls to mind a work of similar portent: Thomas Pynchon’s sclerotic, satirical 1966 novel, The Crying of Lot 49… De Maria’s novel is a good complement to Pynchon, and perhaps an even more relevant work for our era… De Maria’s arresting vision of social media that commands attention." — Nick Ripatrazone, Commonweal

"The Twenty Days of Turin by Giorgio De Maria is a chilling novel that conjures up the creepy claustrophobia of The Tenant and the mind-bending epic horror of House of Leaves—except spread across an entire city. Odd libraries, uncanny monuments, horrific deaths and terrifying puppet shows…even days later, I’m still flinching at shadows, unable to forget the riveting details of a newly unearthed uncanny classic." — Jeff Vandermeer, The New York Times best-selling author of the Southern Reach Trilogy

"Almost forgotten to the ash heap of collective literary amnesia, Giorgio De Maria’s masterpiece oozes with unsettling creepiness and despair as strange gods play out their violent fantasies in an Italy gone quietly insane. This one will slip its way into your darkest dreams." — Christian Kiefer, author of The Animals

"The Twenty Days of Turin is an unholy masterwork of the macabre, more than just a beautifully terrifying ghost story. A writer of uncanny, occult powers, De Maria has crafted an intensely relevant allegory that will take its rightful place alongside the darkest of Saramago and Poe." — William Giraldi, author of Hold the Dark and The Hero’s Body