The Overstory

Reviews

"An ingeniously structured narrative that branches and canopies like the trees at the core of the story whose wonder and connectivity echo those of the humans living amongst them." — citation from the Pulitzer Prize in Fiction

"Autumn makes me think of leaves, which makes me think of trees, which makes me think of The Overstory, the best novel ever written about trees, and really, just one of the best novels, period." — Ann Patchett

"Monumental…The Overstory accomplishes what few living writers from either camp, art or science, could attempt. Using the tools of the story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility, while watching our own kind get whittled down to size....A gigantic fable of genuine truths." — Barbara Kingsolver, The New York Times Book Review (cover review)

"Remarkable....This ambitious novel soars up through the canopy of American literature and remakes the landscape of environmental fiction." — Ron Charles, Washington Post

"A big, ambitious epic....Powers juggles the personal dramas of his far-flung cast with vigor and clarity. The human elements of the book—the arcs his characters follow over the decades from crusading passion to muddled regret and a sense of failure—are thoroughly compelling. So are the extra-human elements, thanks to the extraordinary imaginative flights of Powers’s prose, which persuades you on the very first page that you’re hearing the voices of trees as they chide our species." — Michael Upchurch, Boston Globe

"A rousing, full-throated hymn to Nature’s grandeur." — Dan Cryer, San Francisco Chronicle

"An extraordinary novel....An astonishing performance....There is something exhilarating, too, in reading a novel whose context is wider than human life. The Overstory leaves you with a slightly adjusted frame of reference....What was happening to his characters passed into my conscience, like alcohol into the bloodstream, and left a feeling behind of grief or guilt, even after I put it down." — Benjamin Markovits, The Guardian

"Powers is the rare American novelist writing in the grand realist tradition, daring to cast himself, in the critic Peter Brooks’s term, as a 'historian of contemporary society.' He has the courage and intellectual stamina to explore our most complex social questions with originality, nuance, and an innate skepticism about dogma. At a time when literary convention favors novelists who write narrowly about personal experience, Powers’s ambit is refreshingly unfashionable, restoring to the form an authority it has shirked." — Nathaniel Rich, The Atlantic

"This book is beyond special. Richard Powers manages to turn trees into vivid and engaging characters, something that indigenous people have done for eons but that modern literature has rarely if ever even attempted. It's not just a completely absorbing, even overwhelming book; it's a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed." — Bill McKibben

"The Overstory is a visionary, accessible legend for the planet that owns us, its exaltation and its peril, a remarkable achievement by a great writer." — Thomas McGuane