Description
A special side of Robert Walser: his essays on art
Reviews
"This jeweled box of a book... float[s], wonderfully, somewhere in a land between short story and criticism." — Randy Kennedy, The New York Times
""Walser achieved a remarkable tone, in which perfect assurance and perfect ambiguity combine."" — Benjamin Kunkel, The New Yorker
""Everyone who reads Walser falls in love with him."" — Nicholas Lazard, The Guardian
""A Paul Klee in prose, a good-humoured, sweet Beckett, Walser is a truly wonderful, heartbreaking writer."" — Susan Sontag
""Bold and idiosyncratic."" — Lydia Davis
""Singular—genius."" — Ben Lerner
""Written between 1902 and 1930 and, with two exceptions, previously untranslated, the pieces gathered here elaborate a nervous, slapstick sort of hack journalism that set the stage for a fabulously experimental modernist writing situation whose fans included Kafka, Musil, and Benjamin."" — John Kelsey, Artforum