T Singer

Reviews

"With the simultaneous publication of the novel Armand V, Solstad should finally get the attention he deserves in the U.S...The novel follows Singer from his early twenties to his late forties, and this life, which hardly seems to belong to the man living it, proceeds like a jaunty, unforgettable tune played in a minor key." — Booklist

"A story at once traditional and postmodern." — Kirkus

"T Singer goes far beyond the typical, Camus-like portrait of existential alienation that clings to every corner of global literature like the odor of cigarette smoke in a supposedly clean hotel room. Solstad creates a truly singular character whose existence feels like nothing more than the sum of indentations left on him by the world." — Literary Hub

"Solstad’s unusual, entertaining novel of restrained humor follows its protagonist, T Singer, over a lifetime of nonengagement....The novel brilliantly shows the humor and pain of obsessiveness, and the anxious, analytic Singer emerges as an enduring creation." — Publishers Weekly

"The Solstadian long sentence feeds back into itself, meandering with the aimless inevitability of a river heading towards the sea." — The Guardian

"Solstad has a revered role in Norway as the chronicler of his country’s changing times." — The Independent

"Full of dryly comic, densely existential despair." — The Times Literary Supplement

"Dag Solstad serves up another helping of his wan and wise almost-comedy." — Geoff Dyer

"Solstad, regarded by Norwegians as arguably their finest and surely their most critically praised and influential contemporary novelist, pairs his deep political engagement with an ever-renewed formal invention. With each new novel, he startles us, his readers, yet again with something unexpected.  I find him, with his spirited intelligence, a delight and an inspiration to read, whether (haltingly!) in Norwegian or, over the past few years, happily, gratefully, in English translation." — Lydia Davis

"All of the whispers have been right: Solstad is a vital novelist." — Charles Finch, New York Times Book Review

"Solstad’s inventive approach allows him to reflect on the freedom and obligations of the novelist who is tasked with telling someone else’s life story. It also inscribes, in the novel’s very form, Solstad’s way of writing about people who are not quite the protagonists of their own lives...What if a life—even an apparently consequential one, like an ambassador’s—had no discernible narrative, no coherent main action? Actual lives look nothing much like conventional novels. That is the challenge Solstad accepts and rigorously joins." — James Wood, The New Yorker