Calligraphies
Poems
1 November 2023
Territory Rights — Worldwide including Canada, Singapore and Malaysia, but excluding the British Commonwealth.
Description
A formally brilliant and powerful volume from “one of the most extraordinary innovative poets writing today” (Carol Muske-Dukes, Los Angeles Times).
Moving from Paris to Beirut and back, Calligraphies is a tribute to exiles and refugees, the known and unknown, dead and living, from the American poet Marie Ponsot to the Syrian pasionaria Fadwa Suleiman. Award-winning poet Marilyn Hacker finds resistance, wit, potential, and gleaming connection in everyday moments—a lunch of “standing near the fridge with / labneh, two verbs, and a spoon”—as a counterweight to the precarity of existence.
With signature passion and agility, Hacker draws from French, Arabic, and English to probe the role of language in identity and revolution. Amid conversations in smoky cafes, personal mourning, and political turmoil, she traces the lines between exiles and expats, immigrants and refugees. A series of “Montpeyroux Sonnets” bookends the volume, cataloguing months in 2021 and 2022 in which the poet observes a village “in pandemic mode” and reflects on her own aging.
In a variety of tones and formal registers, from vivid crowns of sonnets to insistent ghazals to elegiac pantoums and riffs on the renga, Calligraphies explores a world opened up by language.
Reviews
"A book of morally infused witness for our troubled times." — Lawrence Joseph, author of A Certain Clarity
"[Marilyn] Hacker examines love, war, resistance, literature, memories, and aging.… [A] poetic journey not to be missed." — Library Journal, starred review
"These varied and powerful poems highlight the healing that resides in poetic collaboration and friendship across borders." — Publishers Weekly, starred review
"Marilyn Hacker is one of our great translators of the human experience." — Jessica Greenbaum, author of Spilled and Gone
"In Calligraphies, Marilyn Hacker further cements her position as one of our greatest contemporary masters of poetic form. Elegant and yet homespun, cosmopolitan yet grounded, Hacker's poems (in the shapes of sonnets, tankas, ghazals) document and sing the lives of exiles, her friends from Beirut to Paris and beyond. Thriving on what Edward Said called 'late style,' that period of an artist's practice where they face the end, Hacker has become a poet not only for her (and our) twilight age, but for the ages." — Philip Metres, author of Shrapnel Maps